“I mean, you only want two and a half minutes if you can get it, you know, three minutes maximum. So, if you consider that if you did that, just like you did there, and then let some music play a chorus of it and then you come over again and go out, that would be good enough.” “Uh, just do that and then let the music do something, then do that again, that’d be enough for a record.” “Or look, uh, have you thought that maybe, uh, we could use music for fill in on a lot of this?”

Shirley Ann Lee stops singing and begins to engage in a conversation 39 seconds into the recording: Although PARTYNEXTDOOR twists the lyrics around a bit, the original version of this recording highlights a very interesting parallel.

In keeping with his theme of gospel and religious sample material, Kanye lifts the track’s intro from Shirley Ann Lee’s “Someday,” giving it to PARTYNEXTDOOR for re-interpretation (more on that later). “With Ye back choppin,’ the cars and the women come with options.” I loved his latest album, Ye, and it will now be my distinct pleasure to break down 3 elements that define the album’s strongest track, “Ghost Town.” 1. In my opinion, there’s one more label that applies to him: he’s the greatest producer of all time. Throughout the course of his career, he’s been a cocky kid with a pink polo and a backpack, a political pariah, a KUWTK recluse, and a musical visionary. Kanye West is a man whose name means many things to many different people.

Ghost town song